The quick and the dead book
NPR Choice pageThe essay contained the familiar brute facts of the slaughterhouse and the research lab, and the usual arguments about suffering, sympathy and the 98 percent of DNA we share with chimpanzees. But the essay was remarkable not so much for its reasons as for its insistence on unreason. Most people think of themselves as liking animals, Williams wrote, and are willing to hammer out sensible measures to ensure that they are treated more humanely. But the real animal people -- the ''flakes'' who refuse to shut up, to be comforted, to be, above all, reasonable -- are ''always plunging into the eschatological dark. Alice, the year-old protagonist of ''The Quick and the Dead,'' Williams's fourth novel and first book of fiction in more than a decade, is one of the animal people. A motherless child who lives with her grandparents somewhere in the desert Southwest, she's all hackles and hair-trigger judgments, mouthing off at the slightest provocation about air-conditioning, coral reefs, the representation of wildlife on tacky souvenirs.
My favorite scenes from The Quick and the Dead (1 of 5)
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Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents--from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum--accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted literally by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old--the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Don't read Joy Williams if you're looking for Oprah-style stories of redemption--stories in which the human spirit triumphs. And don't look to her for a mirror of reality; with this author, there's never the sense that "I've been there" or "I identify.
Robert Downey Jr. Sign in. Freddie Highmore goes deep into the mind of his character on " The Good Doctor " as Season 3 takes shape. Watch now. Evie Teale is struggling to stay alive while raising her two children alone on a remote homestead.
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The volume performs its appointed task of presenting photographs and concise descriptions of the several dozen pieces that constitute the exhibit, which explores the themes of time and space as addressed by artists of a conceptual bent. The photos are attractive and the write-ups—by Eleey, Daniel Byers, and Andria Hickey—are adequate, though a bit overwritten. The book is structured to mirror the exhibit, with its first pages devoted to the pieces at one end of the exhibit and its last pages devoted to the pieces at the other.
By Jeanie Riess. The less noble side of activism is its performance, which seems to have reached its peak in recent years. Sure, it would be better if we could do something to save the sea turtles, but no one can say what, exactly, can be done. So why not feel good just talking about it? Alice, a motherless sixteen-year-old who has fully adopted the radical politics of her grandparents, with whom she lives, befriends two other motherless girls, Annabel and Corvus.
Look Inside. Jan 08, ISBN Sep 01, ISBN Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults.
The screenplay was written by Simon Moore but includes contributions from Joss Whedon. The Lady joins a deadly dueling competition in an attempt to exact revenge for her father's death. Simon Moore's script was purchased by Sony Pictures Entertainment in May , and actress Sharon Stone signed on as both star and co-producer. Development was fast tracked after director Sam Raimi's hiring, and principal photography began in Old Tucson Studios in Arizona on November 21, The film was distributed by TriStar Pictures and was released in the US on February 10, , to a dismal box office performance, receiving mixed reviews from critics.